Classic Love Poems
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Alfred, Lord Tennyson (1809-1892) was an English poet who remains one of the most popular poets in the English language. He excelled at writing short lyrics, and much of his poetry was based on classical mythological themes. His first collection of verse, Poems Chiefly Lyrical, was published in 1830. Two of his most celebrated poems, Claribel and Mariana, were included in the volume. After the death of William Wordsworth in 1850, Tennyson succeeded to the position of Poet Laureate.
“The Lady of Shalott”
by John William Waterhouse, 1888
A longdrawn carol, mournful, holy,
She chanted loudly, chanted lowly,
Till her eyes were darken'd wholly,
And her smooth face sharpen'd slowly,
Turn'd to tower'd Camelot:
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
—Alfred, Lord Tennyson,
excerpt from The Lady of Shalott, 1832
Tennyson with his wife, Emily,
and sons, Hallam and Lionel
“The Lady of the Lake”
Page illustration by Alberto Sangorski
from "Morte D’Arthur"
by Alfred, Lord Tennyson
O, Were I Loved
O, were I loved as I desire to be!
What is there in the great sphere of the earth,
Or range of evil between death and birth,
That I should fear, —if I were loved by thee!
All the inner, all the outer world of pain,
Clear love would pierce and cleave, if thou wert mine;
As I have heard that somewhere in the main
Fresh-water springs come up through bitter brine.
‘I were joy, not fear, clasped hand in hand with thee,
To wait for death—mute—careless of all ills,
Apart upon a mountain, though the surge
Of some new deluge from a thousand hills
Flung leagues of roaring foam into the gorge
Below us, as far on as eye could see.
Marriage Morning
Light, so low upon earth,
You send a flash to the sun.
Here is the golden close of love,
All my wooing is done.
Oh, the woods and the meadows,
Woods where we hid from the wet,
Stiles where we stay’d to be kind,
Meadows in which we met!
Light, so low in the vale
You flash and lighten afar,
For this is the golden morning of love,
And you are his morning start.
Flash, I am coming, I come,
By meadow and stile and wood,
Oh, lighten into my eyes and heart,
Into my heart and my blood!
Heart, are you great enough
For a love that never tires?
O’ heart, are you great enough for love?
I have heard of thorns and briers,
Over the meadow and stiles,
Over the world to the end of it
Flash for a million miles.
The Miller’s Daughter
It is the miller’s daughter,
And she is grown so dear, so dear,
That I would be the jewel
That trembles in her ear:
For hid in ringlets day and night,
I’d touch her neck so warm and white.
And I would be the girdle
About her dainty dainty waist,
And her heart would beat against me,
In sorrow and in rest:
And I should know if it beat right,
I’d clasp it round so close and tight.
And I would be the necklace,
And all day long to fall and rise
Upon her balmy bosom,
With her laughter or her sighs:
And I would lie so light, so light,
I scarce should be unclasp’d at night.
O Beauty, Passing Beauty!
O beauty, passing beauty! Sweetest sweet!
How can thou let me waste my youth in sighs?
I only ask to sit beside thy feet.
Thou knowest I dare not look into thine eyes.
Might I but kiss thy hand! I dare not fold
My arms about thee—scarcely dare to speak.
And nothing seems to me so wild and bold,
As with one kiss to touch thy blessed cheek.
Methinks if I should kiss thee, no control
Within the thrilling brain could keep afloat
The subtle spirit. Even while I spoke,
The bare word “kiss” hath made my inner soul
To tremble like a lute string, ere the note
Hath melted in the silence that it broke.
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